Dance Journalist
writing about
Natural History Magazine
Features
December 01, 2020
Dancing on a Lotus
A thousand-year-old secret Newar Buddhist dance practice goes global.
March 01, 2018
A Javanese court dance represents and reinforces the power of the sultan and the values of the culture.
Tricycle Magazine
Features
October 25, 2021
Dakini Dances
Female monastics claim their legacy of sacred Buddhist dance — empowering themselves and enriching their communities.
June 14, 2021
The Bhutanese Dance Legacy of Pema Lingpa —Still Thriving after 500 Years
On the 500th anniversary of the Great Treasure Revealer's passing, Bhutan hosts a year-long celebration, complete with the sacred dances he taught.
April 27, 2021
The Kung Fu Nuns Dance a Powerful Ritual
The fearless Drukpa nuns are breaking glass ceilings again—this time with ritual performance.
November 11, 2020
Teaching Happiness—Lunana: A Yak in the Classroom Review
Bhutanese film Lunana: A Yak in the Classroom offers a Buddhist lesson in true fulfillment.
June 11, 2020
Dancing Tara through COVID-19
A practitioner finds empowerment and community through performing the sacred dance of the Buddhist deity, Tara, using Zoom.
November 02, 2018
The Moving Mandala: Inside Bhutan's Sacred Dance Festivals
The story behind the Tantric master who brought sacred dances to the Himalayan region and the singular dance displaying his remarkable manifestations and activities.
Gnawa - Morocco
ARCHIVE
June 01, 2016
A choreographer expresses the contemporary
paradox of being a woman, Muslim, North
African, Arab, and artist.
arts•meme
May 12, 2022
During her year-long tenure as artist-in-residence at the Metropolitan Museum of Art, classical Odissi dancer Bijayini Satpathy challenged herself and museum visitors to respond to art and dance in new ways.
April 19, 2022
The Limón Company celebrates José Limón’s artistic legacy and brings his humanistic vision into the present moment and landscape.
April 15, 2022
Ashwini Ramaswamy, youngest family member of the Ragamala Dance Company, ventured out on her own creating a bold and refreshing experimental Bharatanatyam work Let the Crows Come.
DanceTabs
January 25, 2022
Reggie Wilson / Fist and Heel Performance Group – POWER
Reggie Wison's "Power" is a work borne of reimagining what Black Shaker worship was like in all its amazing complexity.
January 19, 2021
Japan Society – 2022 Contemporary Dance Festival: Japan + East Asia
Japan Society's contemporary dance festival showcases a new generation of engaging and skillful East Asian performing artists, who are generating refreshing work around new and old ideas.
December 17, 2021
Bijayini Satpathy Premieres Abhipsaa — A Seeking
An artist's journey into and out of solitude.
December 13, 2021
Maya Kulkarni & Kaustavi Sarkar — Woman with a Parrot
Migration of a dance from on-camera to live performance.
November 11, 2021
The Art of Fugue by ZviDance = Bach Cubed
A musical form ignites the pathway for the harmonious collaboration of many distinct voices.
October 31, 2021
Martha Graham Dance Company New York Season: On Human Nature
Opening night program of the Martha Graham Dance Company served up satisfying nourishment for the human soul.
October 25, 2021
Andrea Miller at the Martha Graham 2021-22 Studio Series
Report from a working rehearsal of Miller's new work, Scavengers, for the Graham Company's October season in one week.
September 30, 2021
Ragamala Dance Company Performs Fires of Varanasi: Dance of the Eternal Pilgrim
The Joyce Theater reopens its doors to initiate live performances with the Ragamala Dance Company.
Lion's Roar Magazine
October 02, 2020
The Kung Fu Nuns, Fighting for All Sentient Beings
A courageous group of Himalayan Buddhist sisters dance, cycle, and practice kung fu to champion gender equality and respect for the environment.
Ms. Magazine
July 13, 2021
Empowering Women, Crushing Obstacles
The Kung Fu nuns of Nepal create change through ritual dance.
Witty Partition
April 01, 2021
A Reason to Dance
The rich dance legacy performed at Trongsa in Bhutan offers a superb example of how the Bhutanese use dance to express their most fundamental ideas.
Tashi Delek Magazine
Features
Fjord Review
June 25, 2022
Interview with recipient of the 2022 Jacob's Pillow Award — renowned Belgian-Moroccan choreographer, dancer, and director Sidi Larbi Cherkaoui.
April 25, 2022
Shamel Pitts and his international, multidisciplinary arts collective Tribe present long-delayed New York premiere of Black Hole: Trilogy and Trathlon offering a journey to find healing and home.
Ballet Review
Features
March 01, 2017
The Kanze Noh Theatre from Japan took audiences on a journey into their 700-year-old ritualized blend of music, poetry, drama, and dance at the 2016 Lincoln Center Festival.
March 01, 2015
The Early Work of Anne Teresa De Keersmaeker
Anne Teresa De Keersmaeker brings a program of her early works to Lincoln Center in celebration of 30 years of making and performing dances with her company Rosas. Her dances are informed by a rigorous exploration of music forms and geometric structures.
September 01, 2014
The Legacy of Shiva
In India, the Hindu God Shiva is considered the Lord of the Dance and is believed to have danced the world into existence with his divine movements. This spiritual and artistic energy was renewed at the World Music Institute's "Dancing the Gods" festival as well as Nrityagram's odissi offerings at the Baryshnikov Arts Center.
June 01, 2013
What the Body Remembers
The apsaras, or celestial dancers, were always considered to be guardians of the Cambodian people. After the Cambodian culture suffered near annihilation at the hands of the genocidal Pol Pot regime of the late 1970s, its dancers and artists have regenerated their cultural legacy and brought a sampling to New York City in the form of Season of Cambodia.
Ballet Review
Bureau Reports
Fall 2019
Fall 2019
Jiva Dance Offers Innovative Indian Dance Production Titled The
Four Horsemen
Fall 2019
Dancing the Gods Festival of Indian Dance 2019
Summer 2019
Nrityagram Performs Samhāra at the Metropolitan Museum of
Winter 2018
Saburo Teshigawara's Sleeping Water at 2017 Lincoln Center Festival
Winter 2018
Neena Prasad Dances Amrapali at 2017 Dancing the Gods Festival
Spring 2017
A Night at the Museum Celebrating 40 Years of Pentacle
Winter 2016
Javanese Shadow Play at Asia Society
Fall 2016
Desert Dancer at 2016 Live Ideas Festival
Fall 2016
Transcendent Arts of Tibet and India at Brookfield Place
Summer 2016
Archive and Badke Open the 2016 Live Ideas Festival
Spring 2016
Nrityagram at the Temple of Dendur
Spring 2016
Tari Aceh, Folk Troupe from Sumatra, Indonesia Performs at
Spring 2016
2015 Dancing the Gods Festival of Indian Dance
Spring 2016
Spring 2016
Cloud Gate Dance Theatre of Taiwan Performs Rice
Spring 2016
Japan Society Presents Traditional Dance and Music from Okinawa
Winter 2015
Becoming Another: The Power of Masks, an exhibition at the Rubin Museum of Art
Winter 2015
Myanmar's Shwe Man Thabin Troupe at Asia Society
Winter 2015
Tokyo: Butoh Dance Troupe, Sankai Juku, Performs Umusuna: Memories Before History
Fall 2015
Center Stage presents Moroccan Choreographer Hind Benali's Identity
Summer 2015
Malavika Sarukkai at Asia Society
Summer 2015
El Paso: University of Texas at El Paso celebrates Centennial Anniversary with OperaBhutan
Spring 2015
Erasing Borders Festival of Indian Dance
Winter 2014
Two Mandalas—One of Sand, One of Dance
Summer 2014
Winter 2014
BIO
I'm a New York City-based dance writer and frequent contributor to Natural History Magazine and Ballet Review, covering contemporary and traditional dance at home and abroad.
My passion is to learn how people everywhere express themselves through movement and transmit that information. Wherever I travel, I engage with local performing artists and ritual practitioners to gain a deeper understanding of their dances and traditions --a window into how they understand the world.
I joined my first dance circle as a child accompanying
my mother to her weekly
international folk dance sessions at the local community center. Smitten by the physical movement and the exotic music, I sought out formal dance training, and earned a BFA in dance at North Carolina School of the Arts.
After moving to New York and working with several modern dance companies, I developed a creative movement curriculum for young children which I implemented in several New York City Schools.
Much later, I discovered that if I wrote about the dance I observed, I could enjoy the experience again and again.
CONTACT
For writing assignments or other inquiries, please contact me at:
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